Vue d'exposition : Mika Rottenberg, 2016
Courtesy Galerie Laurent Godin, Paris (c) Yann Bohac


Mika Rottenberg


1976 Born in Buenos Aires, Argentina

1998 Hamidrasha, Bait Berl College of Arts, Israel



2000 Bachelor of Fine Arts, School of Visual Arts, New York, NY

2004 Master of Fine Arts, Columbia University, New York, NY

Lives and works in New York, NY


Solo :

2016 : National gallery of Canada (unconfirmed)

2017 : Dallas contemporary, Dallas, Texas (unconfirmed)



Solo Exhibitions



Mika Rottenberg, Bass Museum of Art, Miami



Palais de Tokyo, Paris, France

Mika Rottenberg, Galerie Laurent Godin, Paris

BASS Art Museum, Miami, FL



Mika Rottenberg, Jupiter Artland Foundation, Edinburgh, UK



Bowls Balls Souls Holes, Andrea Rosen Gallery, Main Gallery, New York USA

Mika Rottenberg: Bowls Balls Souls Holes, Rose Art Museum, USA

Squeeze, Video works by Mika Rottenberg, The Israel Museum, Jerusalem



Squeeze : Video Works by Mika Rottenberg, The Israel Museum, Jerusalem, Israel

Sneeze to Squeeze, Magasin 3, Stockholm, Sweden



Galerie Laurent Godin, Paris

How Women Work, Nottingham Contemporary, Royaume-Uni

Mary’s Cherries, FRAC Languedoc Roussillon, Montpellier

Infinite #2, collaboration with Anna Harpaz, Petah Tikva Museum of Art, Israël



Cheese, Squeeze & Tropical Breeze, M VA, Museum Leuven, Louvin - Belgique

Dough, Cheese, Squeeze and Tropical Breeze, De Appel Art Centre, Amsterdam, The Netherlands

Bonniers Konsthall, Stockholm, Sweden

Seven, Mika Rottenberg and John Kessler, Performa 11 - Nicole Klagsbrun Project Sapce, New-York

Take Ninagawa, Tokyo – Japon

Fried Sweat, Tirana Art Center, Tirana - Albanie



San Francisco Museum of Modern Art, San Francisco, CA

Squeeze, Mary Boone Gallery in collaboration with Nicole Klagsbrun Gallery, New York, NY



La Maison Rouge, Paris, France

Performance Stills, Galerie Laurent Godin, Paris, France



Drawings, Nicole Klagsbrun Gallery, New York, NY

Alona Harpaz and Mika Rottenberg (collaboration), New York, NY



Dough, KW Institute for Contemporary Art, Berlin, Germany

Dough, Nicole Klagsbrun Gallery, New York, NY



Tropical Breeze, Le Case D'Arte, Milan, Italy



Mary’s Cherries, Special Projects, P.S.1 Contemporary Art Center, Queens, NY

Marta Del'Angelo and Mika Rottenberg, Le Case d'Arte, Milan, Italy



Group Exhibitions



Plastique, Galerie Laurent Godin, Paris, France

The Artist’s Museum, ICA Boston, MA, USA

Labor Relations, Muzeum Wspolczesne Wroclaw, Poland

Onder ons, CIAP, Hasselt, Belgium

Skulptur Projekte Munster, Munster, Germany



Yokohama Museum of Art, Yokohama, Japan (forthcoming)**

The New Human, Part Two: Knock Knock, Is Anyone Home? Moderna Museet Malmo, Malmo, Sweden, in collaboration with the Julia Stoschek Collection



10 year anniversary exhibition, Galerie Laurent Godin, Paris

« STANCE or DISTANCE »,Contemporary Art Museum, Kumamoto, Japan 

Lovely Days Festival, Bol, Croatia

Demonstrating Minds, Nykytaiteen museo / Museum of Contemporary Art, Kiasma, Helsinki, Finland

FUTURE PRESENT, Schaulager Museum, Münchenstein, Switzerland

Venice Biennial 2015, All the World’s future, curated by Okwui Enwezor, Venice, Italy

The New Human, The Julia Stoschek Collection, Düsseldorf, Germany

Labor Representation, Albright Knox, Buffalo, New York

Bricologie. La souris et le perroquet, Villa Arson, Nice, France

The Museum Presents Itself, Tel Aviv Museum of Art, Israel



Sights and Sounds : Global Film and video, The Jewish Museum, New York, NY

Cross Section : Recent acquisitions, Mills College Art Museum, Oakland, CA

Harvest, Gallery of modern art, Brisbane, Australie

Taipei Biennial, curated by Nicolas Bourriaud, Taipei, Taiwan

Vivre(s), Domaine de Chamarande, France

Des nouvelles de la kula, Centre d’arts plastiques Saint-Fons



Tell Me Her Story, curated by Bae, Myung Ji, Coreana Museum of Art, Space*C, Seoul, Korea
Labor and Subjectivity, curated by Pilar Villela Mascaró, Casa del Lago, Universidad Nacional Autónoma de México (UNAM), Mexico City, Mexico
Haim Steinbach: Once Again the World is Flat, CCS Bard Hessel Museum of Art, Annandale-on-Hudson, NY
Jew York, Untitled & Zach Feuer galleries, New York, NY
13th Istanbul Biennial, curated by Fulya Erdemci, Istanbul, Turkey
Theatrical Gestures, Herzliya Museum of Contemporary Art, Herzliya, Israel
Labour and Wait, curated by Julie Joyce, Santa Barbara Museum of Art, Santa Barbara, CA
The Distaff Side, The Granary, Melva Bucksbaum and Raymond Learsy Collection, Sharon, CT



The Virgins Show, curated by Marilyn Minter, Family Business, New York - USA

Campaign, Curated by Amy-Smith-Stewart, C24 Gallery, New York – USA

Bending the Mirror, Columbus College of Art and Design, Columbus – USA

A Doll’s House, Curated by Fani Zguro, Isola Art Center, Milan - Italie



On the Metaphor of Growth, Frankfurter Kunstverein, Francfort

Commercial Break, Garage Projects – 54th Venice Biennal, Venise

Once Upon a Time : Fantastic Narratives in Contemporary Video, Deutsche Guggenheim, Berlin

K .Acker : The Office / Ruling 'n' Freaking, Triangle France, Marseille

Daft, Shanghai Gallery of Art, Shanghai, China

Show Me Your Hair, Coreana Museum of Art, Seoul, South Korea

Dark Waters, Station Project, c/o Platform Arts Gallery, Belfast, UK




First group show of Contemporary Tel Aviv Art in the UK, JaffaCakes TLV, London, UK

Works from the Julia Stoschek Collection, Deichtorhallen, Hamburg, Germany

Grotesque & Arabesque - ny amerikansk videokunst, Kunstnernes Hus, Norway

Contemplating the Void: Interventions in the Guggenheim Museum, Guggenheim Museum, New York,

Weatherspoon Art Museum, The University of North Carolina at Greensboro, Greensboro, NC

Christmas Show, Galerie Laurent Godin, Paris, France

Home and Origin, Bukowskis, Stockholm, Curated by Rodrigo Mallea Lira

Re-dressing, Bortolami Gallery, New York, NY

Sweat, Patricia Low Gallery, Gstaad, Switzerland, Curated by Marilyn Minter

Workers Leaving the Workplace, Muzeum Sztuki, Lodz, Poland

I want to see how you see: Works from the Julia Stoschek Collection, Deichtorhallen, Hamburg, DE



Eat Art, Kunsthalle Düsseldorf, Düsseldorf, Germany

October Show, Transmission Gallery, Glasgow, Scotland

A Tribute to Ron Warren, Mary Boone Gallery, New York, NY

Strange days and some flowers, Storey Gallery, Lancaster, UK

Werk Nu, Z33 Gallery, Hasselt, Belgium

20 Years, Nicole Klagsbrun Gallery, New York, NY

Strange Days and Some Flowers, Storey Gallery, Lancaster, UK

Installations II: Video from the Guggenheim Collections, Guggenheim Bilbao, Bilbao, Spain, Curated by Nat Trotman

Intemperie, 2nd Bienal del Fin del Mundo, Ushuaia, Argentina, Curated by Alfons Hug; travels to: Cultural Banco do Brasil of Rio de Janeiro



Andrehn-Schiptjenko (three-person exhibition with Pilar Albarracín and Mickalene Thomas), Stockholm, Sweden

Number Two: Fragile, Julia Stoschek Collection, Duesseldorf, Germany

Whitney Biennial, Whitney Museum of American Art, New York, NY

Whatever’s Whatever, Hydra School Project, Hydra, Greece, curated by Dimitrios Antonitsis

Body Collective, Alogon Gallery, Chicago, IL

Galerie Laurent Godin (two-person exhibition with Marilyn Minter), Paris, France



The Irresistible Force, Tate Modern, London, UK, Curated by Ben Borthwick and Kerryn Greenberg

Americans In New York, Galerie Michael Rein, Paris, France, Curated by Ami Barak

The Shapes of Space Part 2, Guggenheim Museum, New York, NY

Welcome to my World, Alexandre Pollazzon, London, UK, Curated by Amy Davila and Matthew Day Jackson

Foam of the Daze, Smith-Stewart Gallery, New York, NY

Herzliya Biennale, Herzliya Museum of Contemporary Art, Herzliya, Israel

*Moscow Biennale, Moscow, Russia, Curated by N. Bourriaud

Negatec, Espacio Fundación Telefónica, Buenos Aires, Argentina, Curated by Luis Camnitzer



 Intermittent, Gallery for One, Dublin, Ireland, Curated by Paul O’Neill and Vaair Claffey

Globalization: Indications, Side Effects, Warnings, Espacio 1414, Santurce, Puerto Rico

*New York, Interrupted, pkm gallery, Beijing, China, Curated by Dan Cameron

*Uncertain States of America: American Art in the Third Millenium, Curated by Daniel Birnbaum, Hans Ulrich Obrist

and Gunnar B. Kvaran, Serpentine Gallery, London, UK

Remember Who You Are, Mary Boone Gallery, Curated by Amy Smith-Stewart

*Everywhere, Busan Biennale, Contemporary Art Exhibit: “A Tale of Two Cities: Busan-Seoul/Seoul-Busan,” - Busan Museum of Modern Art, Busan, South Korea

(New York as) Open Market: An Individual in Globalized Spectacle, Galerija Remont, Belgrade, Serbia

Mid-Life Crisis, Salander-O’Reilly Galleries, New York, NY, Curated by Tara Subkoff and Ivana Salander

pa*per*ing, Deutsche Bank Lobby Gallery in collaboration with Art in General, New York NY

Survivor, Bortolami Dayan, New York, NY, Curated by David Rimanelli

The Garden Party, Deitch Projects, New York, NY



Day Labor, P.S.1 Contemporary Art Center, Queens, NY

*KunstFilm Biennale, Koln

Look at Me: The Perception of Video, Palazzo delle Papesse Centro Arte Contemporanea, Sienna, Italy

*Uncertain States of America: American Art in the Third Millenium, Astrup Fearnley Museum of Modern Art,

Oslo, Norway, Curated by Daniel Birnbaum, Hans Ulrich Obrist and Gunnar B. Kvaran, Travels to:

Bard College Center for Curatorial Studies, Annandale-on-Hudson, NY; Serpentine Gallery, London, UK;

Warsaw, Poland; Sérignan, Montepellier, France; Beijing, China; Reykjavik, Iceland

Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain

New Work/ New Acquisitions, Museum of Modern Art, New York, NY

*Greater New York, P.S.1 Contemporary Art Center, Queens, NY

Art Review 25 Emerging Artists, Phillips, de Pury & Company, New York, NY

Paper, Nicole Klagsbrun Gallery, New York, NY

Situational Prosthetics, New Langton Arts, San Francisco, CA



Economies, Artandgallery, Milan, Italy

Always Already Passé, Gavin Brown's Enterprise at Passerby, New York, NY

We are the World, The Chelsea Art Museum, New York, NY




Miami Heat, Placemaker Gallery, Miami, FL

My Sources Say Yes, Guild & Greyshkul Gallery, New York, NY



Tensionism, Kenny Schachter’s 132 Perry Street, New York, NY



Projects 2001, Islip Museum, Central Islip, NY



Paladar, Cuban Biennial 2000, Havana, Cuba

Short Films and Videos, Stanford University Gallery, Stanford, CA

A.V.A.F.S, *67 Gallery, Brooklyn, NY

Short Cuts, Luggage Space Gallery, San Francisco, CA 1998

Spring at the End of the Summer, Tel Aviv Museum of Art, Tel-Aviv, Israel

* Catalogue



Public Collections


Metropolitan Museum of Art, NY

Astrup Fearnley Museum of Modern Art, Oslo, Norway
Bard College Center for Curatorial Studies, Annandale-on-Hudson, NY
Fonds national d'art contemporain, Puteaux, France
Fonds régional d'art contemporain (FRAC) Languedoc-Roussillon, Montpellier, France
Fonds régional d’art contemporain (FRAC) Nord-Pas de Calais, Dunkirk, France
Fonds régional d’art contemporain (FRAC) Provence-Alpes-Cote d’Azur, Marseille, France
The Israel Museum, Jerusalem, Israel
Julia Stoschek Collection, Düsseldorf, Germany
La Maison Rouge, Paris, France
Mills College Art Museum, California
Museum of Modern Art, New York, NY
San Francisco Museum of Modern Art, San Francisco, CA
The Solomon R. Guggenheim Museum, New York, NY
Weatherspoon Art Gallery, the University of North Carolina at Greensboro, NC
Whitney Museum of American Art, New York, NY





Ruth Ann and Nathan Perlmutter Artist-in-Residence Award, The Rose Art Museum, Brandeis University


Sommerakademie im Zentrum Paul Klee, Bern, Curated by Pipilotti Rist
Planete Doc Film Festival Selection, Warsaw


The Flaherty International Film Seminar Fellow
New Vision Programme Selection, CPH: DOX Film Festival, Copenhagen


5x5 Castello 09 Prize Finalist, Espai d’Art Contemporani de Castello, Spain



The Cartier Award, in conjunction with the Frieze Art Fair



The Rema Hort Mann Foundation



The Dean Fellowship, Columbia University



Projects 2001 award, Islip Museum






Vishmidt, Marina, "Situation Wanted: Something About Labour," Afterall, No. 19, Autumn/Winter

"Mika Rottenberg," Bil Bok International, No. 28

MacAdam, Barbara, "Mika Rottenberg," ARTnews, December (cover)

"The Art Issue," W Magazine, November

"Diaries of a Young Artist," Art on Paper, July/August

Saltz, Jerry, “When Cool Turns Cold,” New York Magazine, March 13

Camhi, Leslie, “Low Stakes and Open Rules Dominate: The 2008 Whitney Biennial,” The Village Voice, March 11

Cotter, Holland, “Art’s Economic Indicator,” The New York Times, March 7

Peers, Alexandra, “Opening Night at the Whitney Biennial,” New York Magazine, March 5

Ayers, Robert, “The Best of the Biennial,”, March 5

“Work in Progress,” V Magazine, March

R.C. Baker, « Goya Does Gore at Peter Blum.The ailing great's etchings bring the blood », The village voice, May 27th



Wollf, Rachel, “Young Masters: A portrait gallery of ten of the most promising New York artists to have

emerged from the boom,” New York Magazine, October 15

Coomer, Martin, “Reviews: Welcome to My World,” ArtReview, October

Sheffi, Smadar, “Rear Window,” Haaretz, October 2

Kerr, Merrily, “Mika Rottenberg: Long Hair Lover [Interview],” Flash Art, July-September

Wolin, Joseph R. “Structural Elements: Space is in the Building,” Time Out New York, August 16-22

Robinson, Walter, “Weekend Update,”, July 30

“The New Pop A-List: Interview’s 50 to Watch (Age 30 or Under),” Interview, June

Morales, Mariana, “Mika Rottenberg,” Codigo 06140, April/May

Dostertm Elisabeth, “Interview: Julia Stoschek,” Süddeutsche Zeitung, April 20

Iglesias, Claudio, Perceptive Curatorship: Arte Y Corporaciones, Exito, May

Battistozzi, Ana Maria, “Tecnología Para Qué,” Clarin-N, May 12

Navarro, Santiago Garcia, “Negatec,” Los Inrockuptibles, April

Sanchez, Julio, “La otro cara de la tecnología,” La Nacion, March 25

Gutman, Yifat, “Interview: Mika Rottenberg,” The Marker: Women, March

Liebs, Holger, Selected Exhibitions 2006: Mika Rottenberg, In: Art – das Kunstmagazin, January



Stevens, Mark and Karen Rosenberg, “Best of 2006: Art – Mika Rottenberg,” New York Magazine, Dec.

Borchert, Gesine, Die Monopol Watchlist: Fünf Künstler, die uns aufgefallen sind, Monopol Magazin fur Kunst und Leben, No. 6, December

Sischy, Ingrid (Photographs by Todd Eberle), “The New New York School,” Vanity Fair (The Art Issue), Dec.

Needham, Alex, “Make it Big: Mika Rottenberg,” ArtReview, October

“Baseball, Jazz, and the Anticipation of Happiness: in the Lobby Gallery at Deutsche Bank NY”

db artmag, (, Issue 1, October-November

Ward, Ossian, “The Body Factory: Mika Rottenberg in Conversation with Ossian Ward,” db artmag

(, Issue 1, October-November

Kenning, David, “Uncertain States of America,” Art Monthly, October

Searle, Adrian, “Rebels without a cause,” The Guardian, September 12

Wullschlager, Jackie, “Bright, brash, unmissable: the US legacy,” Financial Times, September 15

Dorment, Richard, “America’s new age of anxiety,” The Daily Telegraph, September 12

Lovelace, Carey, “Mika Rottenberg at Nicole Klagsbrun,” Art in America, September

Seidl, Claudius, “Die nackte Warheit über der Stadt,” Frankfurter Allgemeine Sonntagszeitung, September 3

Smith, Roberta, “Endgame Art? It’s Borrow, Sample, and Multiply in an Exhibition at Bard College,” The New York Times, July 7

Genocchio, Benjamin, “How Young Europeans View America’s ‘Uncertain’ State,” The New York Times, July 7.

“Utmetnicka Scena: Borba autora u ponudi vizije,” Europa, June 22

Jelisavac, Lj, “Ekskluzivna izlozba video-radova,” Kultura, June 20

“Most za centar sveta utmtnosti,” Danas, June

Sonnenborn, Katie Stone, “Survivor,” Frieze, Summer

Tamir, Chen, “Mika Rottenberg: Dough,” C Magazine, Summer

Kley, Elisabeth, “Mika Rottenberg,”ARTnews, Summer

Uncertain States of America. Exh. cat. Oslo, Norway: Astrup Fearnley Museum of Modern Art.

Antonini, Marco, “Mika Rottenberg,” Around Photography, Number 9

Barliant, Claire, “Mika Rottenberg, Nicole Klagsbrun Gallery” Artforum, April

Bellini, Andrea, “The Body and Weapons,” Flash Art, March-April

Kerr, Merrily, “Mika Rottenberg: Dough,” Time Out New York, Feb. 23

Smith, Roberta, “Mika Rottenberg: Dough,” The New York Times, Feb. 17

Harris, Edna V.,, February

Gell, Aaron, “Factory Girl,” Art Spotlight, Elle, February



Rimanelli, David, “Greater New York 2005,” Artforum, May, pp. 239-240

Saltz, Jerry, “Lesser New York”, The Village Voice, March 28

Davis, Nicole, “Miami Heat,” Artnet, January

Kunitz, Daniel, and Ribas, Joao, “The ArtReview 25: Emerging US Artists”, ArtReview, Vol. V3N3, p 121

Taylor, Robert, “What the Peeps is going on?” The Sunday Times, February 6 2004

Smith, Roberta, “Where Opposites Like Hands On/Off Attract, Art Review

Smith, Roberta, Summertime at P.S.1” The New York Times, July 16

“A Look Ahead,” New York Sun, May

Saltz, Jerry, “Babylon Rising,” The Village Voice, September 2000

Hamburger, Susan, “Artburger,” Waterfrontweek, December

Shout Magazine, December

Studio Art Magazine, September

Nahshon, Ilan, “Paint,” Yedio Ahronot, October

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Dernière mise à jour le 2 mars 2020